It’s been a roller-coaster day at Fiction Feedback. First of
all, a customer who had liked our critique service and asked us for a
quote for editing, came back to say she’d found a recommended editor who agreed
to do the work for half our quoted price and in less than half the time.
Naturally, all we can do is wish the author well and hope it works out. I’m
deeply envious of that editor, not from a commercial aspect but from a personal
one – I’d really enjoyed what we’d read so far of this author’s work and,
together with the editor who would have worked on this one, I was very keen to
read more. I look forward to downloading the finished novel in the
not-too-distant.
It got me to thinking, though. Our standard charge for
copy-editing is £8 per 1,000 words. If the work is quite ‘clean’, that is, not
needing more than a couple of tweaks a paragraph, then I reckon I can get
through maybe 2,000 words an hour. So my hourly rate of pay is £16. Oh, no it’s
not, because I go back for a second pass, and then a quick third. So we’re at
£8/hour. If the manuscript needs a lot of attention, and I’m amending punctuation,
spelling and grammar on every line, not to mention querying meaning and
pointing out repetition, plot contradictions and discrepancies of all kinds, then
it could take an hour to edit 500 words. So my pay goes down to £4 an hour – £2
if you take into account that second pass, and in heavily edited work that
third pass wouldn’t be so brief, so I’m reaching the stage where I’m working
for free.
Now, I’m not asking to be paid as much as a solicitor, or an
accountant, or even a copywriter. However, I think my work is worth more than the
national minimum wage. And frankly, even a very clean script wouldn’t tempt me
to charge only £4 per 1,000 words, much as I love the task, and in many cases,
love the novel too and desperately want to help it succeed.
In this particular instance I could well understand why our
customer chose to go with someone so much cheaper; her manuscript was
exceptionally long and so £8 per 1,000 words added up ferociously. But I don’t
think this is a case where we can offer a volume discount, or at any rate, not
much of one. As my calculation above shows, we’re not paid that much in the
first place. And our full, expert attention is required right to the very last word.
All we can offer is the ability to pay in instalments, and a considered,
professional service. People can choose to pay for this or not.
One author who did choose to pay for our editing services
recently, and has in fact returned to us for critiques and editing over four
novels and two years, obviously found our service to her liking. So much so, there
came about the big high of today. The doorbell rang, and there was a shivering delivery
man getting somewhat snowed upon with a large box from Majestic Wine,
sent by this delightful author. She thought I deserved it, she said,
when I emailed to thank her.
Equanimity restored, I’ve got back to the enormous editing
task I’ve been working on for nine months now. I dread to think how much the
customer has paid altogether for edits then more edits to revised drafts. I
dread to think even more how many hours I’ve worked on this rather splendid
fictional biography. Still, let’s not think of that. The end is in sight, and
our hero will meet it with properly punctuated gusto. Job satisfaction? I’m
rich in that.
